Andrew Bird first picked up a violin at age four and proceeded to spend his formative years soaking up classical repertoire completely by ear. As a teen, Bird mastered the sounds of early jazz, country blues and gypsy music. All these influences still percolate within Bird’s brand of pop, but he has established a sound that is distinctly his own.
Since 1997 the Chicago-based composer and multi-instrumentalist has released 11 albums, garnering a devoted following with his early band Bowl of Fire before venturing out with his first solo record, 2003’s Weather Systems. It was with this release that Bird began using a looping pedal to combine densely-layered symphonies onstage and revealed his unearthly talent for whistling. He has since played such prestigious venues as New York’s Beacon Theater and Carnegie Hall, Coachella, the Austin City Limits Festival, the Hollywood Bowl and Bumbershoot; in 2008 Bird had 15,000 fans overflowing from Chicago’s Millennium Park for his largest-ever headlining performance.
*VIDEO: Andrew Bird - Orpheo Looks Back @ La Cigale 2012*
Chicago singer/songwriter/violinist Andrew Bird mixes and matches influences until the music is purely his own. Break It Yourself evokes memories of other classic singer/songwriters, but the album retains Bird's personal stamp of world music, jazz, folk, and pop balancing the art. "Danse Caribe" is redolent of Van Morrison's Astral Weeks (side two of Into the Music, to be exact), with a violin casting its spell around an elliptical chord progression and swaying rhythm. "Give It Away" lopes with a country influence in its harmonies and Eagles-"Tequila Sunrise" camaraderie. "Desperation Breeds . . ." quietly enters with a sense of Ryan Adams' quiet ballads until the lyrics reveal an interest in the ecosystem. "Lazy Projector" slows into the 3 a.m. of the soul, where Neil Young often parks, with a melody that sounds like a beautiful moment on a Freedy Johnston record. "Lusitania" has a gentle vocal that follows up on the loneliness of Harry Nilsson's performance of Fred Neil's "Everybody's Talkin'." "Orpheo Looks Back" throws together an animated pizzicato that breaks into a modest jig. "Sifters" aches with the wanderlust of Tim Buckley. Andrew Bird in glorious 320Kbps, how does it get much better?
#3 Danse Caribe










